This Sephardic romance that appears in an old publications of Timoneda in 1573, Mendaño in 1588, or Juan Vicente Franco in 1607. Followed by Traditional instrumental piece in maqam hicaz

Performed at Amsterdam Koncertgebouw May 2010
 

Stefan Sablic (Vocal, oud), Ariel Qassis (Qanun), Akash Bhatt (Percussions), Filip Krumes (Violin), Srdjan Djordjevic (Doublebass), Dejan Zaric (Kahon)

Pizmon para Purim

Performance recorded live at the Ethno Fusion Fest Belgrade, June 2008

Stefan Sablić -vocal, oud, Filip Krumes –violin, Elad Gabbay –qanun, Srdjan Djordjević -double bass, Akash Bhatt –percussions, Dejan Zarić -percussions, mouth harp

Adios Granada

Adios Granada shows the influence of the modern flamenco repertoire on Sephardic music. In this interpretation by "Shira utfila" the piece is performed with an instrumental intro composed by Stefan Sablic and an instrumental outro "hicaz raks", a traditional composition from the Ottoman Empire. 

The song was first recorded by Isac Angel under the title "La Granada" in September, 1923 in New York. Here you can get a sample of original recording - http://sephardicmusic.org/labels
/Angel/503A,504A.htm
Performed by: 'Ud, vocal - Stefan Sablic; Violin - Filip Krumes; Darabukka - Akash Bhatt; Qanun - Elad Gabbay; Riq, kajon - Dejan Zaric

Siete modos de guizados en la Berenjena

Performance recorded live at the Ethno Fusion Fest Belgrade, June 2008

Stefan Sablić -vocal,oud
Filip Krumes -violin
Elad Gabbay -qanun
Srdjan Djordjević -double bass
Akash Bhatt -percussions
Dejan Zarić -percussions, mouth harp